“After 54 performances, many remain unsure what to make of Beecroft’s work. Some see the fashion element as superficial, some see the naked Helmut Newton-esque images of these women as little more than ‘hooters for intellectuals’ (as one review famously dubbed her work). Some say she’s demeaning women, parading them like hunks of meat, in the process creating a male wet dream, while others say she’s reclaiming sexualised images of women from the pages of Penthouse and recontextualising them as symbols of feminist empowerment.” (source)