"They began jumping not long after the first plane hit the North Tower, not long after the fire started. They kept jumping until the tower fell. They jumped through windows already broken and then, later, through windows they broke themselves. They jumped to escape the smoke and the fire; they jumped when the ceilings fell and the floors collapsed; they jumped just to breathe once more before they died. They jumped continually, from all four sides of the building, and from all floors above and around the building's fatal wound. [...] For more than an hour and a half, they streamed from the building, one after another, consecutively rather than en masse, as if each individual required the sight of another individual jumping before mustering the courage to jump himself or herself. [...] They were all, obviously, very much alive on their way down, and their way down lasted an approximate count of ten seconds. They were all, obviously, not just killed when they landed but destroyed, in body though not, one prays, in soul. [...] From the beginning, the spectacle of doomed people jumping from the upper floors of the World Trade Center resisted redemption. [...] The trial that hundreds endured in the building and then in the air became its own kind of trial for the thousands watching them from the ground. No one ever got used to it; no one who saw it wished to see it again, although, of course, many saw it again. Each jumper, no matter how many there were, brought fresh horror, elicited shock, tested the spirit, struck a lasting blow. Those tumbling through the air remained, by all accounts, eerily silent; those on the ground screamed. [...] it was, at last, the sight of the jumpers that provided the corrective to those who insisted on saying that what they were witnessing was 'like a movie,' for this was an ending as unimaginable as it was unbearable: Americans responding to the worst terrorist attack in the history of the world with acts of heroism, with acts of sacrifice, with acts of generosity, with acts of martyrdom, and, by terrible necessity, with one prolonged act of - if these words can be applied to mass murder - mass suicide." (story)
Jörg M. Colberg
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david bram
buffet
the cartoonist
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c-monster.net
colbert nation
consumptive.org
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mrs. deane
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the exposure project
flak photo
elizabeth fleming
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from this moment
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gazpachot
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shane godfrey
ground glass (cara phillips)
group show
the guardian - art section
hebig.org
heading east
andrew hetherington
horses think (ofer wolberger)
hippolyte bayard
i heart photograph
japan exposures
japan photo
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hee jin kang
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we can shoot, too
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year in pictures (james danziger)
zoum zoum
About this Entry
This page contains a single entry by Joerg Colberg published on September 10, 2007 3:19 PM.
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