As far as I can tell, for many commercial/editorial photographers finding an agent/a rep is the equivalent of finding a gallerist for a fine-art photographer: It’s kind of like the da Vinci code, except that unlike in the case of the da Vinci code, it’s a real problem, and there doesn’t seem to be any secret societies involved. Rob has now published an interview with an agent, which, I think, will answer many questions, and which might also be of interest for some fine-art photographers.