Ben Murphy shoots mostly interiors, amongst them the UN Building in New York.
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Andy Sewell’s photojournalistic work is quite impressive and beautifully shot.
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I’m not the biggest fan of “fashion” photography. Having said that, some of Kurt Stallaert’s work (under “Fashionised”) is quite nice, especially the b/w stuff.
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Berim Racaj has compiled a portrait of Kosovo, using both landscapes and portraits.
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There’s quite a large number of interesting projects in Leonie Purchas’ portfolio - for example the story of Christian, the trash collector.
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“My work explores the meanings and connotations attached to consumer goods and culture.” - Olivia Beasley
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Ellen Kooi just got her second solo show in the US. Go and check it out - very nice and creative photography! (updated entry)
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Heli Rekula’s subject matter “is often the female body and women’s different roles, women both collectively and as individuals. Frequent themes include innocence and the loss of innocence, purity and impurity, and the boundaries between. Rekula views people as cultured animals. She questions the impact of culture on natural sexuality and aggression.”
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Finnish photographer Stefan Bremer has produced a pretty large variety of photography, of which I personally like the stark b/w work (“Man and Woman”) best. Also see this Page).
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Tiina Itkonen’s portrait of life in arctic Greenland is very nice. For better samples see this page.
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Check out Pierre Gonnord’s masterful portraiture.
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I’m quite impressed with Paul Kranzler’s work. Make sure to check out all of his projects!
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Comenius Röthlisberger’s website is a bit, how can I say it… underabundant with actual information.
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Michael Mackenzie shoots his deserted scenes predominantly under low light - and this only adds to the general feeling of desolation.
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I’m a bit torn about Christiane Zschommler’s work - I can’t seem to make up my mind about it. Have a look for yourself.
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“[Idris] Khan creates multi-layered photographs, often of appropriated art and books, in a way that both augments the aura of the original and reveals the idiosyncratic trace of his own hand.” I guess I keep coming back to the issue of copyright? Or maybe not? In any case, this is your chance to see all Becher watertowers in one. As much as I like this, I have to note that Idris Khan’s approach was also used by Jason Salavon - this bit of information for those people who just hate to see something that they have seen before. There is a fine article by Geoff Dyer in The Guardian, which you don’t want to miss - regardless of what you think about Idirs Khan’s work. (updated entry)
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Marjaana Kella investigates portraits by doing them in unconventional ways. Also see this page.
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I had a hard time finding good links for Jitka Hanzlová’s work.
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Of Edgar Martins’ various projects, I like “The Accidental Theorist” the best.
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“The Fifth Province is a study of contemporary Ireland through the eyes of the returned emigrant.” - Tadhg Devlin
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Robert Ball’s portfolio contains an interesting mix of projects.
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“JH EngströmÂ’s Trying To Dance comprises a photojournalistic ‘diaryÂ’ of his life since 1990: landscapes, still-lives, self-portraits, and snapshots of friends become loosely narrative documents, recording not only the artistÂ’s individual experiences, but a sensitive and provocative engagement with the world at large. Using photographyÂ’s ability to capture the fleeting essence of a moment, EngstromÂ’s Untitled is delicately tinted, transferring specific time and place to the unfixed reference of memory.” (source)
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For those who feel a bit neglected here since I haven’t linked to grim b/w photography all that much lately, have a look at Gábor Kerekes’ work.
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Francois Cavelier’s portfolio contains a set of pretty nice projects. It is quite annoying to get pop-up advertizing on the site, though.
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Lovisa Ringborg’s digital manipulations are cleverly done, but as in the case of Loretta Lux’s work, it’s all a bit too candy-like for me.
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A few people emailed me the link to Jacob Aue Sobol’s website and told me the Sabine project was quite nice. I’ll have to disagree with that, but even though I’m not one to follow the flock, mine might be a minority opinion (again), so have a peek and decide yourself.
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The stark images from Valérie Rouyer’s series Still Life led to her inclusion in Aperture’s 50 Photographers of Tomorrow.
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Weronika Łodzińska and Andrzej Kramarz’s website contains a set of very interesting photo projects (accessible through the numbers at the lower right corner of the frame).
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Ambroise Tézenas just won the Leica European Publishers Award for Photography 2006.
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“My project addresses how new towns like East Kilbride in Scotland were conceived as a one-stop solution for urban rejuvenation in the early 1950s. These centers were driven by modernist concepts in urban development and social planning. Unlike older urban developments, new towns offered defined social spaces where neighbourhoods were gridded to accommodate schools and shopping centres; where industries were clustered on the town’ edge estates; and where local road transportation systems were developed strategically around neighbourhoods to enable safer commuter transit.” - Sylvia Grace Borda. Also see the East Kilbride website.
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Erwin Olaf’s photography certainly is quite interesting, and he has re-designed his website since I first linked to him. There’s a very nice feature about his work at webesteem art (with tons of large samples!).
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Olivia Gay’s photography has expanded from covering South/Latin American prostitution and strip clubs to nude models or supermarket cashiers in France. And her portraits are also very nice. (updated entry)
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Have a look at Steffi Klenz’s photography. There’s some information about Nonsuch over at Photofusion.
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Mauren Brodbeck’s digitally modified images are quite interesting.
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Raffael Waldner “aims to depict the ambiguity of everyday live. Whether in his series on industrial landscapes or his series on cars […] he observes everyday locations […] and everyday objects […] that have lost their original function.”
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Sacha Maric’s portfolio contains quite a few pretty nice images.
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Paolo Ventura’s War Souvenir uses dolls and other props for staged photos of WWII-time Italy.
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What I really like about photojournalist Simon Norfolk’s work is that he manages to keep the human component alive. (updated entry)
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As much as I find it disappointing to see somebody else has done a project that I have been thinking about, Bart Michiels’ The Course of History is nothing but amazing. See more samples here.
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F&D Cartier produce photograms - something not done by many people.
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Joan Fontcuberta’s art work explores the relationship between image and meaning on a very conceptual level. For example, in his most recent work Googlegrams “uses the popular internet search engine Google to create large, colorful photo-mosaics that construct an elegant metaphor for the internet-era’s liaisons between mass media and our collective consciousness.” (source)
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Jesper Ulvelius is a young Swedish photographer with a tremendous amount of potential.
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In Irene Andessner’s work, the self-portrait (or the staging of the self in all kinds of different contexts) plays an important role.
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Fulvio Bortolozzo’s empty nocturnal cityscapes are quite interesting, in particular his series about the Olympic transformation of Torino.
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Herman van den Boom’s Arcadia Redesigned manages to capture the sheer absurdity of so many human endeavours perfectly.
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Koen Hauser’s digital manipulations are often subtle, often not. Where they’re subtle, the photos never get kitschy but often creepy, even with little children as the subjects.
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Asger Carlsen’s photography appears to be having fun with stereotypes.
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Marina Gadonneix’ work deals with “l’observation du monde quotidien dans sa construction et sa mise en scène, faire du monde familier dans lequel on vit le lieu de l’artifice, avec sa part d’inquiétude, d’étrangeté et de mélancolie” - (loosely translated) the constructed world and the consequences arising from that. You can find more of her photos of television studios here and here.
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Eric Beaudelaire’s personal projects both contain lots of great photos. You can see a slideshow of Manifest Destiny here.
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Vincenzo Castella produces large-scale views of cityscapes. Find more samples here, here, and here.
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